Pineapple Invasion I

Okay, so I know I've been stalling, and I shouldn't stall any more... I hope nobody minds that I didn't photoshop my art much cuz I'm no good at digital art. Besides, I think I prefer to preserve these pineapples in their original form, like how they look like on my pineapple aep notebook, since that's how I remember them as and would like to remember them as (memories~). The notebook was originally meant for my aep (Art Elective Program) notes, but I only wrote my notes on one side of the paper, so I began to doodle on the other side of the paper. I can only tell when I started the series by checking my notes... and since my first notes were about Expressionism, which was what we learnt in sec2, I must have began my series around then. There are 40 pages of pineapple drawings in total, with 300 pineapple drawings. I won't be showing all the pages though, maybe just 30+ pages, and I'll be separating this into 7 posts, which each post showing around 4 to 5 pages of pineapples.

Enough with the babbling. Here's the first page:

Though the pineapples drawn here aren't very nice, but hey, I just started. And I'm showing this page cuz I think I should show how my very first pineapples looked like and how the whole series started. The number written beside the pineapples can be kind of misleading... it doesn't show the order in which the pineapples were drawn--the numbers are just for me to keep track of the pineapples I've drawn. The first pineapple depicted is, well, a normal pineapple, albeit simplified and cartoon-ified. Most of my pineapples are like that--the only features that define them as a pineapple are the round-ish shape of the pineapple's body, the spiky leaves on top and the criss-cross lines/pattern that represent the spiky "scaled"-skin of a pineapple. The themes of the other pineapples are as follows: Shot by an arrow (with juice spurting out like blood); Drowning; Sliced (for eating); Roasted over a flame; Cycling/Fleeing; Vampire Pineapple; =_=||| Pineapple; Grim Reaper Pineapple; Giant Pineapple. I guess I could have edited those pineapple drawings of mine, but I wanted to preserve how awful they were when I first started drawing them (so that I can point at them at a later date and laugh). Lolz.

'Kay, so here's the next page:

So the pineapples have gotten more gruesome... I know. The first pineapple depicted there (no. 66) is simply about a pineapple splitting its skin into half. Inspirations: Evil clowns. That pineapple was the one that really got me into continuing the pineapple drawings and in the end, turning it into a series. This isn't actually the original. The original was much nicer (my originals are always nicer... I can't seem to draw a perfect copy of anything) but it was drawn on the whiteboard and had to be erased later... so I drew a copy of it into my pineapple notebook later. After having drawn it on the whiteboard, some of my classmates began to leave comments beside it (we're an aep class, in case you haven't realized that by now) and most of them seemed to like the pineapple... so I drew some more. The themes of the other pineapples are: Partial-disembowelment/decapitation; Dissolving; Soul-fly-away-shock; Rotten pineapple; Devil; Angel; Bloody cactus; Disgust; Carnivore; Shattering-self. That last shattering pineapple is one that I like a lot, mainly beside this was my first (and last) time that I was able to draw out such an effect nicely. As for what any of these pineapples mean, well, I'll leave them to your interpretation, cuz I never really meant them to mean anything.

This is the third page in the notebook:

The first pineapple depicted here was inspired by a typical anime flowers-appearing-out-of-nowhere-in-the-background scene that usually takes place when the character is in a really gay (definition: cheerful, merry, "high") mood. The next few are mostly inspired by natural stuff. The themes are: Rainy day; Pineapples everywhere; Hot springs; Eskimo; Night; Music; Sunburnt; Tornado/Hurricane; Lightning strike; Um.... I think no. 65 should be... tweeting? Like "fishing"? But "fishing" for birds that leave behind text as they fly past? yeah... one of the few pineapples that has a proper meaning behind its drawing. 

Moving on to the fourth page... also the second-last page for this post:

The first drawing depicts a pineapple using a sparkler (you know, the long colorful stick you light up with a flame and it starts shooting out sparks like a mini firework?) to um... that's a snail by the way. The drawing was inspired by the time when my cousins and I were celebrating the Mid-Autumn Fest and we found out that if one holds a sparkler very near a snail, first, it'd retreat back into its shell, then the slimy thing in its shell i.e. the snail will start to bubble and uh... yeah. And the shell will start to form grey-white stuff that could be ashes and... I shall not say anymore about killing/torturing innocent creatures. The next few pineapple themes are: Stuck in time (hourglass) (YES!!! another pineapple drawing with a proper meaning behind it!!); Accidents; The Scream (by Munch): pineapple version; Food chain; Wanderer Above the Mist (by Friedrich): pineapple version; La Musique (by Matisse): pineapple version. No. 26, no. 28 and no. 29, as you can see, are inspired by some of the artworks I learnt about during aep. 

Now, the last (but not least) page for this post:

As you can see, most of these pineapples have been inspired by the school stuff. The first pineapple was inspired by physics. P.E. stands for Potential Energy and K.E. stands for Kinetic Energy. If you want to continue digging into the meaning behind this pineapple drawing, well, look at what its doing and you can see how that links to my idea of physics at that time: "suicide". Haha. And the next pineapple was inspired by the idea I picked up from the net about paintings coming to life. And there's the barcode pineapple. And the pineapple that got sucked into the stuff it was writing. The last pineapple drawing was inspired by chemistry. And yes, both my pineapples AND Chemistry are EVIL.

Hm. That's all for now... Will post another few pages up soon... Do not ask me to define 'soon'.

Escher Alchemy

Introduction

M. C. Escher: One guy whose works defy science. He is known for his woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations. One example would be Reptiles (1943)--of which a picture of it is shown below. Impossible construction: the lizards depicted in the artwork come to life from a drawing and start moving about. Exploration of infinity: The lizards merge back into the drawing after going in a circle across the workspace depicted in the artwork--a cycle has no end. Tessellation: The drawing of several hexagonal-based reptiles and origins of the moving lizards. 

Analysis

In this artwork, M. C. Escher has clearly used several elements and principles of art and design. First of all, by using lines, he marks out the rough geometric shape of lizards in his tessellation. The main subject matter of the artwork also contains the implications of a circle. This is achieved by positioning the lizards in a circular orientation and using their bodies to suggest the shape of a circle. The way the lizards are positioned, as well as having them merge in and grow out of the tessellation, gives them a sense of movement, making them seem like they are moving across the table top, up and down the items displayed there. Much of the artwork seems three-dimensional, an effect achieved by the realistic proportion of the items depicted in the lithograph as well as the shading and use of chiaroscuro to give the artwork solidity, depth and value. By using the slant of the sketchbook (the one the lizard tessellation is drawn on), the circular motion of the reptiles and the various items decorating the tabletop, Escher was also able to create balance and a sense of equilibrium in his artwork.

This artwork is in black, gray and white, which gives the art piece a certain dream-like, surreal and mysterious feel. It also suggests a sense of antiquity as it isn't colored, like the photographs and films of earlier centuries. Other than making the artwork seem more angular, the books, the set square, the dodecahedron, the box in the metal cup and the tessellation gives the idea of alchemy in the art work. The presence of a corked bottle and a small glass also contributes to that effect, as well as complementing the angular nature of the other items. The surreality of the artwork can be seen through the very fact that the lizards are coming to life from a drawing and that one of the lizards seem to be blowing smoke from its nostrils--something that cannot be achieved in real life. The animated reptiles also reminds one of golems of myths and fantasy. Another idea that the artwork seems to suggest is that of reincarnation and a cycle of life, death and rebirth, as shown when the lizards first come to life and move out of the drawing, only to merge back into the drawing as an inanimate, two-dimensional creature.

Comparison

Below is an image of a painting done by an artist called Kurt Wenner. He is best known for his invention of 3D pavement art. Wenner was inspired by anamorphic perspective, but had to invent an entirely new geometry in order to create his astonishing 3D pavement art images. The art work depicted below is one of his many creations. 

Dies Irae (2005)

He created this piece of street art on the pavement of a medieval town square in Italy with chalk. The artwork above is from a poem called "Dies Irae" which discusses judgment day for all in front of God.  This art piece incredibly captures the emotion and despair of those doomed to the underworld. This work is one of many of Wenner's interest in Renaissance classicism interpretation. Similar to Escher's art, there is a vague sense of movement in the art as the figures depicted in the artwork seem to be struggling in agony. The figures depicted in the artwork also contains an illusion of the subject matter coming to life from the artwork as they seem three-dimensional. This effect can only be properly seen when the viewer is looking at the art piece from this particular point of view, however. If one walks around the art piece, the illusion would no longer exist. There is also a surrealistic and mystical feel to the artwork due to its subject matter and color, just like that of Escher, as well as a strange yet seemingly normal perspective. Both artists have chosen to depict their artwork as realistically as possible so that its strangeness can be emphasized. However, Wenner's work is two-dimensional but seems three-dimensional, whereas Escher's is a two-dimensional piece of art about something two-dimenisional becoming three-dimensional. Their subject matter is also different but both seem to have have mythical origins.


Below is a video of Escher's Reptiles.